Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
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Original digital capture
What I saw that I liked:Windows and doors, entry-ways from our world to the world imagined. What I don't like in the picture:Blanket statements are always wrong, but in general I find photographing from the outside to the inside to make emotionless images. Well, at least emotionally-diminished images. What I learned:Getting inside is more difficult. Permission, access, locked doors, dangerous and rotten floors — lots of barriers to getting inside so a photograph can be made looking out. But it's worth it! These images are more personal and less from the observers position. It's easier to imagine ourselves in their life. Whenever I can gain access to inside, I go there. 2nd Chances: What I might try nextI should try decreasing clarity on this one just to see if a dreamier image is any better. |
