Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
|
Original digital capture
What I saw that I liked:The "golden hour" light. What I don't like in the picture:Light without a subject, or a subject without light — the two banes of photography. What I learned:I know, I need some feet! Weston added nudes to his landscapes and they worked! There, done. Hmmm... did Weston's look like a dead body stuck behind a rock? 2nd Chances: What I might try nextWhat if I painted her toenails? Added a third foot? Put a bird on it? Let's move on, shall we? |
